Niño Viejo collective uses MadMapper at Lunchmeat

Installation of NiñoViejo at Lunchmeat FestivalInstallation of NiñoViejo at Lunchmeat Festival
Photos: Bego M. Santiago

An appropriate follow up to yesterdays post: The artist Bego M. Santiago is a vital part of the Niño Viejo is a collective. What inspires me about this Spain based collective is that they merge the usual VJing and commercial work with socially conscious art projects.

I was delighted to know that the Lunchmeat Festival in Prague invited Niño Viejo to do a special installation. I had performed at the first edition of Lunchmeat last year. It had produced one of the most memorable audio visual installation type performances I have ever seen.

NiñoViejo at Lunchmeat
Photo: Boris Edelstein

While we are very strict about who is able to use the MadMapper prior to its release an exception was made and we are very happy with the results.

Sergi Palau of Niño Viejo writes:

The Lunchmeat Festival from Prague invited NiñoViejo this ddition for a 2 weeks residency to make a project for the festival.

Our project consisted of 16 panel, 3 meters tall and 1 meter wide with separations separated in-between them, so that they worked like independent screens and completely covered the back of the stage.

The images that we projected were on the human body in movement and mapping the panels we could use them like a complete screen or 16 independent ones that allowed us to deconstruct and then construct these bodies in movement.

NiñoViejo at Lunchmeat
Photo: Boris Edelstein

With 3 projectors and a matrox triplehead we could cover the 16 panels, and with MadMapper we could map all these panels in many different ways with the result that with the same image we have several different looks: sometimes seeing the complete and normal picture acros the 16 panels, another times deconstructing the picture, fragmenting and repeating, in mirror, like a kaleidoscope, a videomosaic, etc.

Madmapper turned out to be a tool of incredible facility and versatility of handling and configuration, and, simultaneously, of a superb performance, since you could infinitely repeat the mapped quads without affecting the performance of the videos even working with high resolutions.

As you all know by now, the official release is set for May 26th at this years edition of the Mapping Festival. We are looking forward to this date just as much as you.

Aalto vs. Nosaj Thing at Lunchmeat Festival

Nosaj Thing vs. Aalto @ LUNCHMEAT 2010 from …::LUNCHMEAT::… on Vimeo.

I don’t tend to do ‘best of’ lists. If I did, then I would have done that already before the end of the year that just passed. And if I had, the above video was to be my #1 audio visual performance. It is likely that the LUNCHMEAT festival in Prague, was to be on that list as well for my most favorite festival. It featured some of the best live visual artists that I know and a great line up of up and coming musical talent that has been brewing for the past 5 years. LUNCHMEAT was a bold and daring attempt to really bring together great music and visual talent together in three nights, along with workshops, I hosted a day long Modul8 workshop followed by getting the participants to perform live that same night, and presentations by ENTTER, No Domain, Aalto and I.

Really happy to see that the extensive documentation for this project is finally done. You will note that Aalto uses Modul8 and a lot of traditional graphics tools to achieve his goals. It is about the ideas and the obsessive, dedicated hard work to achieve his vision. The word ‘vitality’ comes to mind. I hope it will inspire you.

Nosaj Thing Visual Show @ Mapping Festival 2010 from mappingfestival on Vimeo.

Later that year, during the Mapping Festival, I got to see the Nosaj Thing / Fair Enough performance as well. Another Modul8 driven project for triggering the visuals, it was no less phenomenal, although the full installation of Aalto was hard to beat. There is certainly a lot to be said for the two approaches: making special installations and just plane making great visuals that can work anywhere. It helps a lot that there are up and coming musicians who see the value in visuals at this less bombastic level. Nosaj Thing has definitely set a precedent for this. I hope to see a lot more in the future.

Modul8 Education: looking east, breaking barriers

Film making

Along with the expansion of the Modul8 community, comes the valuable support of artists who see the benefit of the immediacy of the tool in situations where one does not want to spend a lot of time messing around with the software to achieve their creative vision.

One example is my friend Bego of the Nino Viejo collective. She has spent this spring and part of this summer working in Prague, teaching students how to use Modul8 as part of a tool set in integrating projections of drawings and animations into films or placing projections inside the environment so that there is a more intimate experience with the projected material as opposed to the projected image always living within the boundaries of the projection screen. See the image above as a prime example of both.

The Czech republic has always had a rich tradition of animation, particularly stop motion animation. The video below is documentation of the activities that unfolded the past months at the Academy of Arts, Architecture and Design in Prague. While the footage including Modul8 is almost at the end it is worth looking through the student projects. We can see the roots of a new generation that is finding ways to communicate ideas with any means and materials that are available be it digital or painting on walls or the body.

Only a few hours train ride brings us to Vienna. Considered by some to be the VJ capital of the world, the artist Florian Luanisch created a rather poetic document of a Modul8 workshop he did during the last edition Sound:Frame festival.

What is so important about Vienna and VJing? “Capital of VJing?!” I asked myself these questions as well when first hearing them from a friend a few months ago. A clearer picture of the answer came from meeting the documentary film maker Frederick Baker at the 2010 edition of the c/o Pop conference in Cologne, Germany. His book “The Art of Projectionism” provides a multi-faceted view of what it is that we are doing with this medium.

As I had suspected there is a generous gap between east and west when it comes to common knowledge about the VJ world, as I discovered that Frederick had little knowledge of any of the individuals who were invited to the Wiki-Sprint that was conducted at the last edition of the Mapping Festival. This VJ Wiki-Sprint was initiated by the Mapping Festival in order to improve a much needed overhaul of the VJ page on Wikipedia that appeared to be stuck somewhere in 1998. The VJ Wiki-Sprint team consisted of a series of individuals from Europe and America who saw the value in championing this medium. Manuel Schmalstieg (aka N3krosoft), Ana Carvalho (of VJ Theory), Tom Bassford (aka SleepyTom), Carrie Gates, Raphael DiLuzio and Carole Thibaud (combined with a host of others who communicated via the interweb) gathered together in a small room that was part of the Mapping Festival downtown office to put their minds and hearts together to bring things up to date. As is it turns out there are enough references now to construct a solid narrative that brought us to where we are today that the collective criticism of the Wikipedia world can no longer dispute.

Nevertheless, for the moment Mr. Bakers “The Art of Projectionism” is not included as a reference on this page. But give how much progress was made during the VJ WikiSprint (and the fact that I am writing this post) I am sure it will not be long before it is.

How can we shorten the gaps between us? For starters, if you are located in western Europe I would encourage you to take some time off and attend the upcoming VJ/DJ playground in Austria that is set for August 5th through the 8th. Sadly, I will not be able to make it this year due to a much overdue vacation. But it should not prevent you from attending, sharing and learning.