More Lemur + Modul8 love.

A not so recent post from VJ Kungfu with a slightly less elaborate approach but nicely described and prescribed. I remember seeing this first time and being really inspired by the possibilities.



A higher quality version is available on the VJ Kungfu website

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Oktopus!


drum and motion from oktopus on Vimeo.

A user contacted me on the support system and. Sometimes there are signatures with web addresses but not as often as I like. Usually I have to check and see if the email is a custom one from a unique domain. In this case the URL was hyperlinked and voila!

I can clearly see that modul8 was used in this video. But I don't really mind because the characters, colors and compositions are really playful and happy. I also dig this video because it shows how an illustrator can have a lot of fun with a tool instead of getting bogged down with the particulars of how it works. Whizzong!

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(vs) Delete Media module



With the release of version 2.5.5 of modul8 several new keywords have been added.
One of them that I am eager to write about is the 'direct_media_change' keyword that allows for management of media such as adding, moving or removing media from the media set.

Wasting no time module master Gael Abegg Gauthey of Vision Sonore who brought us the legendary (vs) Sequencer jumped into action during the beta phase of v.2.5.5 and created (vs) Clear Mediaset (all). It allows for clearing the whole media set (oooh... harsh) or each media set.

Lets see if anyone can outdo him by by creating tabs of each media set with a grid of 16 check boxes in each one so that media can be deleted selectively. Ooooooh. Anyone?

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LPM report Part II: Who I met



As noted in the previous post about LPM (contrary to uncommon belief) is not just about performances. Included in its name is the word 'meeting.'

In part 1 of this report some familiar faces were present. While there were many new faces that would be impossible to recall fully there are some of note that I cannot help but mention.



The first would be Todd Thille. I had faint memory of his name here and there from the various articles floating around about his involvement in VJ'ing. We did actually initially meet in Berlin for the micro-avit but it was very brief. At LPM I got a chance to chat with him more about his adventures in VJ'ing and working in the VJ field. Until recently he was involved in the much talked about Artificial Eyes. His web site reveals that he is not only interested in the image but also in creating images with plants and rocks.

Todd was also very active at LPM. Taking lots of photographs and assisting with installing projectors and running cables as well as helping Toby in directing the chaotic energy of LPM into constructive talks that were followed by taped interviews.

On the 2nd day of the festival Todd mentioned that a directional video system was arriving. I had seen articles about this DMX controlled hardware and my thoughts about a mirror attached to a projector in order to control its beam were always 'we can finally use an image as light.'





This leads me to the presentation of the company Video Moving System or more commonly known in the VJ tech circles as VMS. CEO Thomas Kuhne and Kjell Bruno Tait delivered a very clear message that images could not only be moved within the screen but could also just plain move. VMS not only makes this simple yet dynamic piece of hardware but also publishes DVDs that showcase some of the best VJ talent working with these systems. Thomas was equally excited to meet up with Justine and I having a) known about the influence of the Mapping Festival for some time and and the fact that the majority of the artists that he has produced DVDs for use modul8.

I had the pleasure of getting to know Blanca Perez-Bustamante aka whiteemotion or for short whitee. Blanca is as she would phrase it the back ground bright energy of the VJ world in Spain and beyond. She is currently working on finishing her doctoral degree with her work focused squarely on the audio visual movement. She conducted interviews with all of the performers and when she interviewed me it was clear she knew what she was looking for and how to ask about it. She also teaches the upcoming generation about what we are doing and what tools we are using. We often focus our attention on the performers and festivals. As spectators we are not really expected to look beyond that. Its a blog such as this though that gives the possibility for highlighting the efforts of those unseen. My cup is raised high.

There were really a lot of other people but I just can't recall much more after that cup and I have a lot of other things to write about here so I will leave it at that. Ok... another big cup for the entire LPM team! You have me itching for next year.

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Modul8 v.2.5.5 Released!



I am pleased to announce the final release of Modul8 v.2.5.5!

Big thanks to all those who participated in the beta testing phase. Your continued support and feedback is essential to the further development of modul8.

Modul8 v.2.5.5 update is free for all registered users of modul8 and can be downloaded by using the 'Download modul8 update' command from the 'modul8' menu within the application. The command will launch your default web browser and then download a .zip file that will self extract to an .image file. Inside the image file you can drag and drop the application into your applications folder.

If you want to use the modules you have downloaded or created using v.2.5.4 it will be necessary to move them for the modules folder of that version and put them in the modules folder of v.2.5.5.

Listed here are numerous added features and fixes that come with this update.

If you have any troubles downloading the update please do not hesitate to contact 'support [at] garagecube.com' for assistance.

It was a long and arduous journey and we have now finally arrived. You all know what this means of course. Time to get back to work on the...

Until then.

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Fun with modul8 and the Lemur



I have been putting the finishing touches on the eventually to be printed manual that I have been writing for modul8. We have a few relaxing partnerships with some cool hardware people out there. We have had the Lemur on loan from JazzMutant for some time now and I am finally able to have an excuse to sit down with it a bit seeing what my brain will do with it.

If you have not heard of it yet it is a pre-iPhone multi-touch screen that allows you to build your own interface for any performance software application that supports Open Sound Control or as it is commonly known in the geek music realm as OSC. I have actually known about the Lemur since about 2005 or 6. A friend, the sound artist o.blatt was given one on loan and some time later we hosted a demonstration of the Lemur at one of the SHARE events held at the now gone Sub-Tonic.

I was impressed with what the sexy thing could do but the sticker price put it out of the field in terms of something that I actually needed. Nevertheless during my first trip to Geneva in 2005 for the first Mapping Festival I mentioned OSC mainly because of the fact that it is not limited to the paltry 128 bytes that MIDI is 'stuck' with. They said they would look into it. I am pretty sure that I was not responsible for its eventual support within modul8. Nevertheless there it is. Unfortunately the Lemur is still the only device out there that I know of that support OSC. A pity too.

I do very much enjoy playing around with it. Check out the neat little sentry like figures I accidentally composed when building an interface for controlling two layers.

Many moons ago our friend in Japan Yoshiharo Okudaira bought a Lemur and made a little video demonstrating its use with modul8.



The Lemur is finally getting a lot more exposure these days. Last summer I attended this mega music festival in Nyon. Bjork occupied the headline dressed in what I would deem a potato sack. Sorry Bjork. They also had some really bad visual accompaniment that consisted of live feeds where some thoughtless video technician blurred her image or put a mosaic filter on it. Someone did get the brilliant idea to point another camera onto a Lemur one the musicians was using. In the following days lay people who also saw the show would tell me 'The visuals were amazing! They had this image a very cool screen that someone was manipulating with their fingers' and I would casually say 'Oh that. That is a...'

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LPM Report Part I



Four nights. One huge space that was formerly a slaughterhouse and seemingly endless amounts of workshops, talks, a/v performances and VJ sets done with 14 projectors. Or maybe it was more? Two stages and a VJ/DJ booth. The 5th edition of LPM and my first experience of the Rome based take on the live video festival.



Having just recovered from the Mapping Festival (I promise I will write something about that when I get a chance. Shame on me) my traveling companion and partner in crime in the Mapping Justine Beajuoan and I landed into the hustle bustle of Rome. Within a few hours of figuring out our accommodations and acclimating to the navigational spaghetti that was the state of our minds after our journey we made it to the LPM venue and some familiar faces.

Quite a few familiar faces were on hand. As mentioned in my post about the Micro-Avit at DMY Berlin Toby and the Visual Berlin crew (fRED et al) were there. Toby did an amazing job conducting the VJ Talks and the various subjects that are on the minds of many artists working on this field. In a sort of half observer and later lecture role Brendan Byrne of VJ Theory along with the bodiless presence of Ana Carvalho who could be seen held in laptop form was give a tour of the grounds by Brendan including the porta potties.



It would be really impossible to report on every performance of this undertaking that unfolded almost completely under one very large roof. Although not all was under the roof. Just outside a weedy cobblestone promenade with former stalls made up of large steel and rust colored pipes. Where people could step out for some fresh air and talk about their work or ideas. Several crews documenting the event and interviewing artists utilized this space allowing for the re-emphasis of Avit related events to not be just about the music and the visuals. Here was a living and breathing community that wants to engage in conversations with each other instead of just showing up, doing their thing and shuttling back to their sleeping quarters.

And what about the music and he visuals. It was a bit difficult to keep track really. A printed list of the participants of each day was available but more often then not Justine would scout out who had just performed and the actual artists would tell her 'that's actually not our name.' Here are some of the performances that did grab my attention one way or another:

a-li-ce of the homemade collective from Paris. a_li_ce (aka Claire) has been working on an audio visual piece based on Alice in Wonderland accompanied by cello. Using collages of the drawing from the original book along with original footage of someone wearing clothing clothing cut pieces of the drawings attached to the clothing. Off from the screen it could clearly be seen that Claire was very much involved in the process of controlling the video on par with the way her counter worked with the cello. While the overall production is still very rough there was tremendous potential on display and I look forward to seeing more.

r o t spaceinvaders vs =ff= of the Visual Berlin crew showed up with cameras rolling to create a narrative set involving a doctor and his monster seeking liberation. Or something of that nature. Racing music and repeating clips of Dr. and Monster mashed up with lots of overlaying graphical glitchiness. The monster was also a participant on stage and apparently has a really good grasp of using VJ software. I was told by Toby that in a previous incarnation members of the r o t crew incorporated more dance into their live performance. Hope to see a return to that in the future.

Akira // Kiken Corporation performed his tightly a/v 8 bit synchro set. A nuts and bolts approach to visualizing audio with modul8. I was present for this set as part of the Mapping Festival this year and it was fun to see it once more. During the Mapping the visuals occasionally dropped for some reason but this was made up for by the top notch sound system of the Zoo. Here at LPM the sound was not really in the fore. Kudos to Akira for really bringing the a and v closer together.

Long time modul8 user Dr. Mo provided a round of his refined stop motion photograph sequences of various locations around the world.

At the top of my list of the performances is undoubtedly the Strap On Dildos. How good was it? I did not even get to see the performance live. Justine shot video of it and showed it to me and gave me the run down on what happened. Lesbians running around with dildos strapped onto their bodies with accompanying video and audio. Conceptually it might appear gimmicky but seeing it in action was to Justine and I extremely convincing in the way the women were handling themselves. Yes. It had energy.

I apologize to the other artists who performed that I did not see or that I saw and don't have the time to write about.

There is more to write but I think I will leave it for the next posting as I wanted to share something immediately and got bogged down with trying to get all the details right. The 2nd part of LPM focuses on some specific personalities that were new to me and I am very happy to have come in touch with.

Plenty of footage and photos of the event on the LPM web site.

Until the next posting...

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The forum is back!!!

After being bombed by some spam bots the forum was shut down for a bit. We are back on with a mighty (simple and elegant) spam blocker. So now prancing around the GarageCube forums should be spam free. Yay! Thanks Boris!

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